L.E. Modesitt, Jr. – The Official Website

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Welcome

Like most authors, I want my readers to have as much background information as possible, particularly about recently released books, and books that will be published in the months ahead. But it’s equally important for new readers to learn about the books already out there. Those are some of the purposes of this site.

Another reason for the site is to acquaint you all with the range of my books. Just because you liked one of my fantasies doesn’t mean, unfortunately, that you will like one of my “hard” SF novels. I’d hope that you would, but another point of this site is to give you more information so that you know more about what I’m writing and what I have written.

Thanks again for reading my work, for supporting me, and for keeping the written word alive and well!

—L.E. Modesitt, Jr.

Plots
April 7, 2025

The other day, while reading a decent but not great SF novel written more than a decade ago, I got to thinking about plotting and plots.

While there are exceptions, I tend to write “straight-line” plots, in the sense that the protagonist is attempting to get from point A to point B. Sometimes, he or she gets there. Sometimes, they get to another end that they didn’t anticipate. There are obstacles, from nature, social and government structures, and from others with conflicting or hostile objectives. Some of those obstacles the protagonist doesn’t even think about until having to confront them, but the obstacles are part of the world or worlds the protagonist must negotiate. It’s not easy, sometimes almost impossible, and the cost is never negligible.

But that’s certainly not the only way to plot. There’s the daisy chain plot, where one thing leads to another, and the protagonist is led and/or misled until he or she figures the way out. Or “the universe is against me” plot, where the protagonist has to smash everything in order to merely survive. Or “the chosen one” plot, featuring generally a less obstacle-ridden version of the hero’s journey.

Whatever the basic plot structure, an accomplished writer can generally make it work out in a believable fashion, but the more elaborate the underlying plot structure, the greater the possibility that a less accomplished author will undermine the believability of the story and the world. But then, in certain types of books or movies, particularly those featuring “massive” superheroes, the plot isn’t the point at all – displaying the powers and skills of the hero is the primary goal of the movie/book.

One thing I have noticed in real life is that there’s almost always someone smarter, stronger, faster, and more capable – and when there’s not, people band together to keep powerful people in line… or become their slaves.

For every George Washington or Cincinnatus, who gave up power willingly, there are scores of would-be dictators who can’t or won’t – and that’s another plot.

Realistic Worlds?
April 3, 2025

After more than fifty years of writing professionally, I find it interesting and amusing to read reviews of my books and others, especially when I see readers and reviewers disputing how good or how “realistic” a novel is.

Part of the sense of reality perceived by readers lies in the ability of the writer to convey actions, images, allusions, illusions, and facts in a way that effectively creates a believable world and narrative, but part lies in the knowledge and perceptions of the individual reader.

We all have our bête noires, those factual errors or internal irreconcilable inconsistencies perpetrated by an author that degrade or destroy our enjoyment of the work. Years ago, I wrote a review of a moderately successful SF novel, set in the then-present in the Washington, D.C., area. I wrote that the book was decent and moderately entertaining, but that the numerous factual errors kept it from being better, and I gave examples. The editor begged to differ and said he wouldn’t publish the review unless I removed the examples. I demurred, and the review was never published. The book was a moderate bestseller and was adapted into a movie, which received mixed reviews.

I wasn’t wrong about the errors, but readers unfamiliar with the Washington, D.C., area and culture wouldn’t have known the difference, although some other errors were factual. For some readers, those kinds of errors can destroy the enjoyment of a novel. For others, the errors don’t even register. My father was an attorney and an avid reader, but he couldn’t stand most legal representations in movies, television, or novels, which he found not only unrealistic, but totally unbelievable.

As a writer, I do my best to avoid such errors and inconsistencies, but some authors dismiss any “reality” that gets in the way of the action or blood and gore, and they’re likely correct that too much “reality” can kill the story for those who don’t know the facts or don’t care.

In 2015, Tor published my very hard SF novel, Solar Express, which, as a “semi-joint” project with NASA, was read by several NASA scientists who agreed that I handled the science accurately. There were quite a number of one star reader reviews, with comments about it being too technical and dull, as well as five-star reviews from readers citing the accuracy, with a lot of reviews in the middle saying that they liked my other work better.

The bottom line, from what I’ve seen, is that every reader has his or her view of what’s realistic in fiction, and fiction that’s “excessively” realistic appeals to comparatively few readers, and that’s been true as far back as Jane Austen, few of whose female protagonists would have snared their male in any truly accurate portrayal of the reality of that time in history.

The Cost of “Perfection”
March 31, 2025

Where the U.S. government and some state governments are concerned, too many things take too long and cost too much.

Court proceedings, both civil and criminal, take too long, with the practical results that those with financial resources are far more likely to escape the consequences of their actions and those without such resources will spend more time behind bars, either by accepting disadvantageous plea bargains or awaiting trial, while prisons become more and more crowded.

Dealing with the legal and regulatory actions for construction or federal contracts often consumes more time than it actually takes to build something, partly because Americans argue too much, partly because the courts are understaffed, and partly because too often the regulations and the laws are used as tools of obstruction.

The immigration process is so clogged up and procedure-hampered that we’re not effectively dealing with illegal immigrants while turning away highly trained and talented immigrants.

Military procurement takes longer and longer and costs more and more.

Almost everywhere you look in the United States, things are bogged down and not working as well as they should. People know this, and they’re angry – which is why so many voted for Trump.

The problem is that the methods Trump and Musk are using won’t work, because they don’t address the heart of the problem.

We’re in this pickle because no government can regulate everything to be perfectly safe… or perfectly fair… or perfectly equal. When you try that, you get California, where it can take years to get permission to install solar power, where you can’t build enough homes because it’s too costly and too many are homeless.

There’s no effective and perfect way to IMMEDIATIATELY reduce global warming without destroying current societies and cultures, but replacing coal-burning power plants with natural gas would reduce emissions and pollution and make great steps, even though it’s not ideal. So would building more nuclear plants in the right locales.

It’s been said more than once that seeking perfection is the enemy of accomplishment, and that’s too often true because perfection is exceedingly expensive and often unobtainable, and those who seek perfection too often oppose anything less.

In short, we need a compromise which results in more good, and less insistence on perfection.