Tolerance of the unjust, the unequal, and the discriminatory is anything but a virtue, nor is fiction that brings to light such problems in society a vice. Yet among some readers and reviewers there seems to be a dislike of work that touches upon such issues. Some have even gone so far as to suggest such fiction, in portraying accurately patterns of intolerance, inequality, and gender discrimination that such fiction, actually reinforces support of such behaviors. Over the past few years, I’ve seen reviews and comments about my fiction and that of other writers denigrated because we’ve portrayed patterns of discrimination, either on the basis of gender, race, ethnicity, or sexual orientation. I certainly hope what I’ve seen are isolated incidences, but even if they are isolated incidences, I find them troubling, especially when readers or reviewers complain that illustrating in fiction what occurred either historically or continues to occur in present-day society constitutes some form of discrimination and showing how it operates is hateful and insulting.
Discrimination is hateful, insulting, and degrading, but pretending it doesn’t exist while preaching tolerance is merely a more tasteful way of discriminating while pretending not to do so… and that’s not only a form of discrimination, but also a form of hypocrisy. It somehow reminds me of those Victorians who exalted the noble virtues of family and morality and who avoided reading “unpleasant” books, while their “upstanding” life-style was supported at least in part by child-labor, union-breaking tactics that including brutality and firearms, and sweat-shop labor in which young women were grossly underpaid.
Are such conditions better than they were a century ago? Of course they are – in the United States and much of the developed world. But gender/sexual discrimination still exists even here – it’s just far more subtle – and it remains rampant in much of the developing and third world. So… for a writer to bring up such issues, whether in historical or fantasy or futuristic science fiction is scarcely unrealistic, nor is it “preaching” anything. To this day, Sheri Tepper’s Gate to Women’s Country is often violently criticized – if seldom in “respectable” print, but often in male-oriented discussion – because it postulates a quietly feministically-dominated future society and portrays men as dominated by excessive aggression and sexual conquest, yet a huge percentage of fantasy has in fact historically portrayed men almost “heroically” in such a light. Why the criticism of writers such as Tepper? Might it just be that too many readers, largely male, don’t like reading and seeing historically accurate patterns of sexual discrimination reversed? And how much easier it is to complain about Tepper and others than to consider the past and present in our world today.
There’s an old saying about what’s sauce for the goose is sauce for the gander…