Recently, an article in New Scientist cited a study that showed readers of “literary fiction” displayed more empathy than did readers of “popular” fiction. After the wave of nausea, disgust, and anger passed, I couldn’t help but think how great a disservice the English-speaking “literati” have done to both authors and the reading public by making an artificial distinction – that supposedly represents quality – between popular and/or genre fiction and so-called literary fiction. This disdain seems to be less pronounced in the United Kingdom than in the United States, but that’s my view as an outsider to British literary circles. Unfortunately, this distinction is reinforced by a goodly number of the F&SF publishers, possibly because they really don’t want it known that the distinction is artificial and that there are “literary-quality” genre books. Heaven forbid, people might not read any F&SF book if they thought they might have to think, or perhaps it just makes marketing that much simpler.
Personally, I think most readers know exactly what they want to read, and even what type of book suits their mood at a particular time. Despite the labels and marketing hype and misleading cover blurbs, experienced readers find authors who appeal to them.
I have no problem with observations about the quality of writing, provided those observations are accurate and based on the words of the author, but I have a huge objection to automatically categorizing fiction on the basis of either genre or popularity. It’s definitely true that a great amount of best-selling “mainstream” fiction, i.e., popular fiction, does not present great depth and sophistication, and the same holds true for much of genre fiction – but not all of either is without depth and great skill in writing. Just look at the consternation when everyone discovered that J.K. Rowling had published an “adult” novel under a pseudonym… and that it was considered rather good.
Margaret Atwood, whether she will ever admit it or not, writes science fiction in a literary style, but it’s still science fiction. So does Gene Wolfe, but Gene’s work is considered F&SF, while Atwood’s is literary fiction. There are more than a few F&SF titles published every month that, in terms of style, sophistication, and depth, meet every so-called “literary” criterion. Yet, particularly in the United States, it seems to me, the literary establishment cannot seem to bear the thought that a genre writer, or a popular writer, might actually exhibit some skill while actually telling an entertaining story with depth and an exploration of life and meaning beyond the tried and true tropes that still seem to shackle so much of so-called literary fiction.
Despite the disdain of genre fiction, particularly F&SF, by American “literati,” more and more ideas and approaches from F&SF are turning up in so-called mainstream fiction, and, likewise, more “literary” approaches to writing are appearing in F&SF. Both are very good developments; it’s just too bad that all too many members of the self-proclaimed [if quietly and in a falsely self-deprecating manner that ostensibly denies such membership] American literati don’t understand that. They’d do far better to concentrate on celebrating good fiction, regardless of labels.