The other day, while reading a decent but not great SF novel written more than a decade ago, I got to thinking about plotting and plots.
While there are exceptions, I tend to write “straight-line” plots, in the sense that the protagonist is attempting to get from point A to point B. Sometimes, he or she gets there. Sometimes, they get to another end that they didn’t anticipate. There are obstacles, from nature, social and government structures, and from others with conflicting or hostile objectives. Some of those obstacles the protagonist doesn’t even think about until having to confront them, but the obstacles are part of the world or worlds the protagonist must negotiate. It’s not easy, sometimes almost impossible, and the cost is never negligible.
But that’s certainly not the only way to plot. There’s the daisy chain plot, where one thing leads to another, and the protagonist is led and/or misled until he or she figures the way out. Or “the universe is against me” plot, where the protagonist has to smash everything in order to merely survive. Or “the chosen one” plot, featuring generally a less obstacle-ridden version of the hero’s journey.
Whatever the basic plot structure, an accomplished writer can generally make it work out in a believable fashion, but the more elaborate the underlying plot structure, the greater the possibility that a less accomplished author will undermine the believability of the story and the world. But then, in certain types of books or movies, particularly those featuring “massive” superheroes, the plot isn’t the point at all – displaying the powers and skills of the hero is the primary goal of the movie/book.
One thing I have noticed in real life is that there’s almost always someone smarter, stronger, faster, and more capable – and when there’s not, people band together to keep powerful people in line… or become their slaves.
For every George Washington or Cincinnatus, who gave up power willingly, there are scores of would-be dictators who can’t or won’t – and that’s another plot.