Recent polls suggest a significant percentage of voters, especially younger voters, may not vote at all in the coming Presidential election, largely because they don’t like either major party candidate.

I can certainly understand people not liking the choices facing them in the coming Presidential election. I haven’t liked the choices presented by either major political party for decades.

But that’s no reason not to vote. In fact, not voting effectively supports the candidate you find most awful, because not voting deprives the less bad candidate of your vote. So does a vote for a non-viable third-party candidate. Throwing your vote away on a non-viable candidate may make you feel good, but the only impact is to support the major party candidate you find most distasteful or least capable.

And voting against an incumbent to “punish” him for not doing all you wanted or taking a single action you disliked intensely can backfire if you vote for a candidate whose record and/or promises are at odds with your beliefs and requirements, because the only person you’re punishing is yourself.

Voting reflects life. Sometimes, we don’t get ideal or even good choices, only a choice of which downsides to accept in jobs, housing, schools, or other areas. The same is true of politicians. The choice is between flawed candidates, because all candidates are flawed to some degree, just as all people are. So, if you vote, the choice is about which flaws you can accept, and which you cannot.

If you decide not to vote, that’s a choice as well, and that’s the choice to let other people decide, which, to me, is a form of cowardice.

Most of America is complaining about inflation, and more than half of Americans blame that inflation on President Biden, but is the President, any President, for that matter, the one to blame?

Federal Reserve research found that “corporate profits contributed a large percentage to inflation in the first year and contributed much less in the second” after the pandemic. In particular, Fed researchers found that corporate profits accounted for all the inflation in the first year of the pandemic recovery (roughly July 2020 to July 2021) and 41 percent of inflation overall in the first two years of the post-pandemic recovery (July 2020 to July 2022).

But that was just the beginning. According to one study, corporate profits hit an all-time high in 2023. Profit margins were above 15 percent – a level not seen since the 1950s. Another found that corporate profits after tax were at 11.08% in the fourth quarter of 2023, compared to 10.93% last quarter and 10.79% last year. This is 54% higher than the long-term average of 7.19%.

In fact, corporations raised prices on consumers – not to offset inflation – but to increase their own profits. In February, Fortune printed a story pointing out that corporate profits drove 53% of inflation during the second and third quarters of 2023 and more than one-third since the start of the pandemic. Comparatively, over the forty years prior to the pandemic, profits drove just 11% of price growth, while, since the beginning of the pandemic, corporate profits as a share of national income have skyrocketed by 29%

In addition, although consumer prices rose by 3.4% over 2023, input costs for producers have only risen by 1%, and in many sectors producers’ prices have actually decreased without corporations passing on those savings to consumers.

In just one example, in 2021 PepsiCo announced that it was “forced” to raise prices, despite record profits of $11 billion. Then in 2023, PepsiCo announced another price increase, of more than 10%. Interestingly enough, PepsiCo’s only major competitor, Coco-Cola, followed a similar pricing model, with its CEO claiming that Coco-Cola had “earned the right” to price hikes because its products were popular. How was that possible? Because, with a combined total of nearly 92%, three companies control the U.S. carbonated soft drink market – Coco-Cola (44%), PepsiCo (26%), and Dr. Pepper/Keurig (22%)

Likewise, in the area of meat products, by the end of 2023, Americans were paying at least 30 percent more for beef, pork, and poultry products than they were in 2020. Might it just be because four companies now control the processing of 80% of beef, 70% of pork, and nearly 60% of poultry?

Such near monopoly power goes beyond soft drinks and meat products. In 75% of U.S. industries, fewer companies control a greater percentage of their markets than they did twenty years ago.

Complain all you want about inflation, but at least place the blame on the largest cause – corporate greed.

Perhaps my wife and I are old-fashioned, or too cautious. It also might be that we find long conversations on a cell phone tiring, but for whatever the reasons, we not only have cell phones, but a landline as well.

This has downsides I never imagined, as when, last week, the handset on my office phone decided that it would no longer retain the cord leading to the body of the thirty-year-old landline telephone in my office. I thought the problem was in the cord and decided to get a replacement cord – only to find that not a single place in Cedar City carried replacement cords. I did find one at the Staples in Salt Lake City, which arrived three days later. Although I’d taped the old cord to the handset in the meantime, that didn’t work all that well, and it turned out that the handset couldn’t hold the new cord any better than the old one had.

So I decided to replace the entire telephone, but, again, although we have CenturyLink, Verizon, and AT&T stores/offices here in Cedar City, none of them carried any landline telephones – even though their websites said that they did. Nor did any of the big box stores, whose websites said they carried them – but didn’t. It also turned out that the second landline phone, from a seldom-used corner of the house, that I’d pressed into use to replace my office telephone also didn’t work particularly well. So I’ve had to order two landline phones.

It also struck me that the landline phone lasted thirty years at a fraction of the cost of the cheapest cell phone, and I’m on my third cell phone in the last fifteen years.

Sheerly coincidentally, the local paper carried a story noting that roughly a quarter of Americans still don’t use cell phones and rely strictly on landlines. That got me to thinking. If I have this trouble getting a replacement landline telephone, who’s going to supply telephones for the roughly eighty million people who still need them? Or do the manufacturers think all those eighty million are suddenly going to switch? Or is this a nefarious plot to force them to switch?

More than a few people know the poem “Ozymandias,” written by Percy Bysshe Shelley, which in the days of my youth was part of the English curriculum, not only because Shelley wrote it, but because the poem was considered a parable about how fame and fortune vanish over time.

I met a traveller from an antique land
Who said: “Two vast and trunkless legs of stone
Stand in the desert . . . Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed:
And on the pedestal these words appear:
‘My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!’
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.”

What fewer people know is that Shelley and his friend Horace Smith each wrote a poem on the same subject over the Christmas holidays in 1817, and both were published at different times. But where did they come up with the name Ozymandias? In antiquity, Ozymandias was a Greek name for the pharaoh Ramesses II (1279 –1213 BC), who definitely left a great deal of statuary behind.

Interestingly enough, the poem (or poems) convey stylistically an impression of the loneliness and singularity of such an occurrence, when, in fact, more than a few cities great in their time have totally vanished, with numerous references to their existence, but no present trace of their location. The latest issue of Archaeology contains an article on ten cities of the ancient world that have not yet been located, including Agade, the capitol of the Akkadian Empire; Tarhuntasha, the one-time capitol of the Hittite Empire; Serai, the capitol of the Golden Horde; and Wanggeom-seong, the capitol of Gojoseon, the first Korean kingdom.

In addition, almost every issue of Archaeology or Current World Archaeology seems to contain a reference to yet another empire or city (and not just small towns) recently discovered, one of the latest being an extensive urban area in Amazonia revealed by lidar scans.

In fact, one could even say that homo sapiens’ desire to be remembered is only matched by how much rubble we’ve left behind, with so few individuals actually memorialized and recalled over the ages.

Some authors would say that you have to write to please yourself, at least to some degree, because it’s almost impossible to put in the effort and skill that’s necessary to write a novel if you dislike what you’re writing. While that’s accurate, as far as it goes, if you want to be a successfully published writer, your work has to appeal to an audience larger than yourself, and most likely larger than just people like you.

One best-selling writer has created a person in his mind, for whom he writes. He has crafted that person lovingly and in depth, from where she works and what she does precisely at that job, what kind of food she enjoys, what jokes she finds amusing, down to what NFL team her husband roots for. That obviously works that writer, given his sales.

Another published writer tends to tailor each book to a specific person, or occasionally to a type of person. Another might write for a circle of friends… or for his or her writing group.

Some writers obviously “write for the market,” consciously or unconsciously adapting or mimicking wildly popular books, as is obvious from the flood of vampire novels and the number of Tolkien knockoffs. The problem with that approach is that more often than not the imitation is usually not as good as the original. There are exceptions, but they’re rare.

For whatever reason, I never really asked myself who I was writing for. I just wanted to write, although initially my creative efforts were in poetry. When I started writing science fiction, I concentrated on telling a good story with at least some measure of uniqueness. And, as I’ve related elsewhere, when I turned to fantasy, I wanted to write it with economic, technical, and human “realism.”

Along the way, I was asked what my “target” audience was, something I’d never considered defining. When I actually thought about the matter, I realized exactly who I was writing for – and that was for readers who could think and who wanted more “depth” in their fiction.

Some of that depth, I admit, was for me as much as for my readers, as when, in The Elysium Commission, I buried snippets of John Donne’s poetry in the book – since the main character is a consultant/problem-solver-for-hire named Blaine Donne. But there’s far more than meets the eye or the casual read in most of my work, although much of what I write can be enjoyed without having to know or recognize the depth. Not always, however, as in Quantum Shadows, The One-Eyed Man, or Haze.