For some time, I’ve had a sneaking suspicion that some readers who proclaim their love of science fiction don’t really love science or SF that actually relies on science. What they love are the gadgets, the faster-than-light travel, the blasters or lasers, the AIs that think like people and not like artificial intelligences. And many of these people seem to get upset if science gets more than a passing mention.
Now… I know. I’m the one who has, for years, railed about writers who don’t write about people, or whose characters are cardboard propped up by in-depth and very realistic science that goes on for too many pages. And I’ve called that segment of the genre technoporn.
But there should be a middle ground [yes… I’m once more advocating for middle ground and moderation in a society that is ever more polarized] where science is a real and tangible part of the fiction, but enables or restricts the acts of the characters in the fashion that it does in “real life.”
When I wrote Solar Express, I knew that there would be a segment of readers who didn’t like the fact that the two main characters communicate through what is essentially a future form of email. And some readers did object, not as many as I feared, but I wasn’t restricting my characters artificially, or because I was being old-fashioned, but because even speed of light communications don’t work in real time much beyond the orbit of the moon because of the time delay. The Earth is roughly eight light-minutes from the sun, and that means a 16 minute delay between sending a message and getting a reply. I also limited the technology to what we know is theoretically possible… and potentially affordable.
But I’m seeing a growing number of readers who aren’t interested in the slightest in science, and who object if even a hint of real science lasts more than a sentence.
Some readers will likely say that’s fine if the book is set in a future where the plot doesn’t rely on science, but unless we’re talking post-apocalyptic societies with lower technologies, the science should at least be semi-realistic. And, if the writer is dealing with a plot relying heavily on science and technology, some of that needs to leak out in passing, enough so that the “science” isn’t just another form of “hand-wavium.”
Science has great possibilities for speculative fiction, but real science also has considerable limitations… and high-tech science is incredibly expensive. The Navy attempted to come up with a truly futuristic warship in the U.S.S. Zumwalt, but the advanced guns required ammunition that cost almost a million dollars for each projectile. Just 2,000 rounds would have cost almost $2 billion.
So… death stars are really nifty, but no realistic empire could ever afford to build them, and most of the weapons wouldn’t work, and certainly not the way they’re depicted. All of which just may be why there are fewer and fewer authors who even attempt realistic SF, and why so much of what passes as hard SF is really science fantasy, but which very few readers or writers want to admit.