A few weeks ago I came across an article in a magazine that I thought had at least a vestige of culture and sophistication. The article claimed that rap singer Kanye West was an “American Mozart,” and I didn’t bother to finish it. Now, I will admit that I’ve only heard perhaps two songs, if that, by Kanye West, and I don’t care for rap, because every rap song I’ve tried to listen to comes across as essentially hip and violent with a monotonous driving beat. I do know that the man has designed special Nike shoes that sell for something like $245 a pair. But really, jumped up sneakers for $245?
The follow-up is that the latest edition of that magazine contained a letter to the editor objecting to the characterization of West as an “American Mozart,” to which the writer of the article had replied to the effect that West was indeed that, since he was appealing to the culture of today, just as Mozart had appealed to that of Vienna in the late eighteen century.
After I pulled my jaw back in place, I thought about the whole thing. To begin with, Mozart was never an eighteenth century “pop star,” even in just Vienna, or even just in the court of Emperor Josef. According to compilations I’ve seen, four other composers had more performances of their works, and to greater acclaim and popularity. The “pop music” hero of the time was more likely to be Salieri, not Mozart.
So, I wouldn’t have objected nearly so much, if the writer had characterized Kanye West as an “American Salieri,” here and highly popular, and then likely to be forgotten, because his work is essentially forgettable – not necessarily for lack of talent [although I will leave that judgment to others], but because the very form in which he works, like the popular works of Salieri and other popular composers of that time, lacks the breadth, depth, and sweeping sophistication of a Mozart or a Beethoven, or even of a Liszt [who was both a classical and popular sensation of the nineteenth century].
And what’s the point of this comparison? It’s not a niggling about Kanye West, but a reflection of a far larger concern – that we are fast becoming a “flash” culture with little understanding of what is transitory and what may be permanent, and even less knowledge or understanding of our past, historical or artistic or technical. I understand that the person in the street, if you will, might not understand the historical nuances and references, but to me, it’s disturbing that a writer featured in a magazine which prides itself on reporting on “culture” apparently has neither that knowledge nor that understanding.
This lack of understanding, unhappily, goes well beyond culture. According to surveys taken by the American Revolution Center, sixty percent of Americans could identify the number of children of reality TV couple John and Kate Gosselin, but more than a third could not tell in what century the American Revolution took place. More Americans know the names of Michael Jackson’s hit songs than that the Bill of Rights is part of the U.S. Constitution. A shocking 70% don’t even know what the Constitution actually is. Only 20% of Americans understand the principle of the scientific method. More than 40% believe that antibiotics are effective against viruses. Forty percent believe dinosaurs existed at the same time as human beings, and forty-five percent don’t know how long it takes the earth to orbit the sun.
But ask them about pop songs, and they know… so long as they’re current. Most college freshmen in a popular music course in my wife’s university didn’t know who Frank Sinatra or Judy Garland were.
Welcome to the world of the flash culture.




