Over the past few months, with the paperback release of Arms-Commander and the initial hardcover release of Lady-Protector, I’ve had a number of requests for another book about each of the protagonists. Likewise, I’ve had a number of readers express disappointment that I would be leaving Rhennthyl, the protagonist of the first three books of The Imager Portfolio, in order to write another sub-series featuring a different main character set in a different time period in the history of Solidar. The most extreme reaction of which I know is one I’ve mentioned before in several fora, where a reader got so upset that I had the main character of the first three Spellsong Cycle books die of old age in the second subseries… and the reader hurled the fourth book at a hapless bookseller while taking my name in vain.
If I look at the sales charts of fantasy books in particular, it’s fairly clear that readers reward handsomely those authors who write long and voluminous series about the same character or sets of characters. The same trends are evident in urban fantasy and the thriller/mystery genres. Yet while writing a long series with the same characters pleases many readers, there are those who want a writer, even their “favorite” writer, to write book after book where each book is significantly different from any previous book.
I can’t count the number of reader reviews over the years that complained that my latest book was too much like a previous one, even while the majority of my readers requested more books in that particular series and more books about a character that they loved. Yet, at the same time, a significant number of readers also asked for more of my “different” science fiction books.
As many sages have noted, and even the late Rick Nelson in his song “Garden Party,” you can’t please everyone all the time, and, unhappily, if you’re an author, there’s always the chance that something you write will please almost no one. And yes, I did have one of those books. It was called The Green Progression, and I wrote it with Bruce Scott Levinson, and after twenty years I can count the number of people who truly liked that book and told me so on one hand. But… if you’re one of the few who actually has a hardcover, I did see a bookseller offering a copy for $287.00. Fortunately, only one of my books has been that kind of disaster, at least so far.
The other aspect of what readers want is that what they want often does not agree with what the reviewers think is “excellent,” and very, very few runaway best sellers receive rave reviews, at least in science fiction and fantasy. Some years in the past, one author, who shall remain nameless, received glowing review after glowing review. That author is no longer published and has not been for quite some time, perhaps because the last book issued by a major publisher had over 90 percent of the copies printed returned unbought.
Then there are other authors, who sell well enough to live comfortably, and who receive good reviews in general from reviewers at Kirkus, Publishers Weekly, Booklist, Library Journal, but who tend to be ignored or panned by reviewers in the F&SF field. Such authors seem able to balance technical skill and popularity to some degree, and make a living as writers, but seldom if ever, publish the runaway best-seller.
All of this suggests, as all of those of us who have endured as professionals in the field know, that for the reader what matters first is how gripping the story is, and how well it is told comes second, because what most readers really want is the story, and, for most, but not all, preferably another adventure with characters they love.