Last weekend, I was at a science fiction and fantasy convention, and among the events was a panel with Robert Sawyer, the Canadian author whose books were the inspiration for the short-lived television series Flash Forward.  The panel was on the subject of the impact of the “Me Generation” on publishing and F&SF.  Several days after the panel, I came across a blog complaining that there should have been someone on the panel who belonged to the “me generation,” since neither Sawyer nor I obviously did [although I must point out that Rob is a number of years younger than I].  That got me to thinking about the premises behind the complaint.

The first premise is erroneous and has belonged to every younger generation since the time of Socrates, if not before.  It is the belief that no one older can possibly understand what the younger generation feels and believes. That is, of course, utter trash.  Every older generation was once young and felt the same way. Some in the older generation have forgotten or chosen to forget and thus do not “understand,” but many, many of us do remember and understand.  We also understand what things we then believed to be true were not as we thought.  This process is known as maturation, also thought of as ossification by many of the younger generations.

But the second premise is the one I really want to address. That is the unspoken assumption, especially among the media, that every issue has another side worth exploring and presenting.  I’d be the first to agree that every issue has another side.  Even Hitler had another side, as did Pol Pot and Osama bin Laden.  But just because there is another side doesn’t mean that such a side is either worth presenting in any depth or that it should be justified by the media or the intellectual communities.  I’m sorry, but, for example, we really don’t need, nor should we be exposed to in-depth expositions of the justification for genocide, pedophilia, serial killings, etc.

Why not?  Isn’t that a violation of freedom of information and the press?

It is if it’s mandated by government, but the press and media need to exercise some self-restraint.  Again… why?

Because, in the simplest terms, in-depth presentation of bad information, poor logic, and the like, especially without critical assessment, gives it a credibility in the eyes of a public too credulous and too accepting of what the media present, particularly whatever is the flavor de jour.  Do I think either limitation or such critical assessment is likely to happen?  Not on your life… or at least in my lifetime. The media is far too interested and far too driven by profit to risk being the first or among the first by actually taking time to read and consider the implications and whether one side or the other of a current story is little more than fluff, if that.  Above and beyond the profit considerations are the pseudo-legal ones.  They don’t want to court lawsuits by suggesting one side of a truly one-sided story has little to recommend it.  That’s how and why the tobacco industry, some of the energy industry, the climate change deniers, and even the financial industry [and its supporters] get almost a free pass.  All these people do is suggest and sow doubt with facts and theories that range from being statistical outliers to being outright wrong or totally irrelevant or by pointing out nitpicking lacks or insignificant weaknesses in data. That way they call claim that they’re true skeptics.  By the way, you can tell the true skeptics from the ideologues by watching what happens when more well-supported data appears.  The true skeptics analyze and consider it; the ideologues find yet another and different basis of support for their stance.

The problem, of course, is that all ideologues believe that the “other side” is non-existent, while those who are open-minded actually consider the other side. But the fact remains… there are some stories and some situations, some of them vital to us and our future, where the “other side” is weak or essentially non-existent… and all too often no one will claim that the emperor has no new clothes.

It’s often been said that no artist can be truly and accurately judged in his or her own lifetime… and I think that there’s a great deal of truth in that,

Neither Shakespeare nor Mozart were considered the leaders in their fields at the times of their deaths, as I’ve noted before.  And of the two Cassatts of the nineteenth century, the “colossus” was considered to be Alexander, the president of the powerful Pennsylvania Railroad, while his sister Mary was an artistic dabbler.  Today, only economic historians know about Alexander, while almost every art student knows about Mary Cassatt, the American impressionist.  Van Gogh never sold a painting in his lifetime;  today his works are worth millions.  Almost no one knew anything about the poet Emily Dickinson in her lifetime.  Her works are quoted everywhere, and many of her poems have been set to music.

The same lack of “present-day” appreciation exists outside the area of artistic endeavor as well. For example, perhaps the only town in Japan to face the worst of the recent tsunami and survive was the fishing town of Fudai, thanks to the dogged persistence of Kotaku Wamura, a ten term former mayor who survived the devastating 1933 tsunami as a youth and who spent almost thirty years lobbying and finally getting built a more than fifty foot high seawall and an equally high and massive set of floodgates.  His insistence on building such tall structures was regarded as an expensive folly when they were completed in the late 1970s, but Fudai survived with all buildings intact, if some ended a little damp, at a time when virtually every other town and city in the path of the tsunami was reduced to rubble.  Wamura endured scorn and ridicule for his projects and died before he could see how they saved his beloved home town and its people.

As in so many instances, the man was not fully appreciated until long after his death, and in his lifetime, his floodgates were doubtless decried as not “cost-effective” – or whatever the equivalent Japanese economic jargon might be.  The projects cost an equivalent of $30 million in 2011 dollars, and they saved more than 3,000 lives and all the buildings in the town.  U.S. economists reckon that, in safety and environmental terms, it’s not cost-effective to implement measures that exceed from $250,000 to $1,000,000 per life saved. Even at the lower end of that scale, Wamura’s seawall and floodgates “saved” $700 million in life-costs, not to mention the rebuilding costs.

So… why is it that we so often praise those whose works and deeds do not endure and ignore those whose deeds and works have a lasting impact?

Over the past few months, with the paperback release of Arms-Commander and the initial hardcover release of Lady-Protector, I’ve had a number of requests for another book about each of the protagonists.  Likewise, I’ve had a number of readers express disappointment that I would be leaving Rhennthyl, the protagonist of the first three books of The Imager Portfolio, in order to write another sub-series featuring a different main character set in a different time period in the history of Solidar.  The most extreme reaction of which I know is one I’ve mentioned before in several fora, where a reader got so upset that I had the main character of the first three Spellsong Cycle books die of old age in the second subseries… and the reader hurled the fourth book at a hapless bookseller while taking my name in vain.

If I look at the sales charts of fantasy books in particular, it’s fairly clear that readers reward handsomely those authors who write long and voluminous series about the same character or sets of characters.  The same trends are evident in urban fantasy and the thriller/mystery genres.  Yet while writing a long series with the same characters pleases many readers, there are those who want a writer, even their “favorite” writer, to write book after book where each book is significantly different from any previous book.

I can’t count the number of reader reviews over the years that complained that my latest book was too much like a previous one, even while the majority of my readers requested more books in that particular series and more books about a character that they loved.  Yet, at the same time, a significant number of readers also asked for more of my “different” science fiction books.

As many sages have noted, and even the late Rick Nelson in his song “Garden Party,” you can’t please everyone all the time, and, unhappily, if you’re an author, there’s always the chance that something you write will please almost no one.  And yes, I did have one of those books.  It was called The Green Progression, and I wrote it with Bruce Scott Levinson, and after twenty years I can count the number of people who truly liked that book and told me so on one hand.  But… if you’re one of the few who actually has a hardcover, I did see a bookseller offering a copy for $287.00.  Fortunately, only one of my books has been that kind of disaster, at least so far.

The other aspect of what readers want is that what they want often does not agree with what the reviewers think is “excellent,” and very, very few runaway best sellers receive rave reviews, at least in science fiction and fantasy. Some years in the past, one author, who shall remain nameless, received glowing review after glowing review.  That author is no longer published and has not been for quite some time, perhaps because the last book issued by a major publisher had over 90 percent of the copies printed returned unbought. 

Then there are other authors, who sell well enough to live comfortably, and who receive good reviews in general from reviewers at Kirkus, Publishers Weekly, Booklist, Library Journal, but who tend to be ignored or panned by reviewers in the F&SF field.  Such authors seem able to balance technical skill and popularity to some degree, and make a living as writers, but seldom if ever, publish the runaway best-seller.

All of this suggests, as all of those of us who have endured as professionals in the field know, that for the reader what matters first is how gripping the story is, and how well it is told comes second, because what most readers really want is the story, and, for most, but not all,  preferably another adventure with characters they love.

The other day I was amused, and somewhat horrified, if not particularly surprised to read that I did not “simply engage in religion-bashing.” but that I was “outright hostile to religion.”  Where did this come from?  From a theological blog that, on the basis of thoughts and acts of one Van Albert, the protagonist of my novel, The Ethos Effect, declared that, “One can presume, however, that his [Modesitt’s] basis of ethics is a strictly humanistic one.”  I did contact the author, and he most graciously and kindly apologized and revised the blog to reflect the fact that my characters [and not me] took stances contrary to what he believed to be the proper religious acts and beliefs… and I have no problem with that.

This sort of thing, however, does raise an issue.  How often do readers jump to conclusions about what an author believes on the basis of a single novel? Or even a single series, when other characters in other books have acted differently and on different ethical bases?

Another author [Poul Anderson, I believe[except I was wrong, apparently, as noted below]]] said that there was a term for readers who equated the views of characters with the views of the author, and that term was “idiot.”  I’m not sure I’d go quite that far, because there’s no doubt that, no matter what we as authors claim, some [if not more] of what we believe seeps into what we write.  Some authors are almost opaque, in that it’s difficult to discern what they truly believe, and with others, their beliefs gush from every page.  But… with still others, while beliefs seem to gush from the page, those beliefs may not be those of the author, or only part of the beliefs of the author.

Human beings face ethical dilemmas all the time, and our actions spark ethical questions on a daily basis, and some of what we write comes close to real-life situations, such as in the recent case of the killing of Osama bin Laden.  One of the larger questions that faces any society is the issue of justice when that society is faced with the issue of preemptive action or reactive action.  What might have happened in Europe in the mid-to-late 1930s if the U.S. and European powers had moved against Hitler before millions of Jews and others were killed?  On the other hand, one could claim that the wars in Iraq or in Vietnam were largely preemptive and disastrous.  The overarching ethical problems in such cases are that preemptive action is arrogant and chancy and could result in more deaths than doing nothing, but often doing nothing leads to greater evils, as in so many cases in human history. 

As an author, I’ve written on both sides of this issue, because, from what I’ve seen, no “absolute” religious or ethical philosophy provides a satisfactory guideline in mitigating human misery.  Oh… philosophers and theologians can claim their positions are the “right” ones, but every “right” position still has times when it multiplies human misery.  So I’ve explored this issue and others… as have many, many other writers.

And, in my books, each character takes a stand.  Sometimes, the stands agree, and sometimes they don’t.  At times, ethically, everyone loses, even when they triumph materially… and, from what I’ve seen, that’s life.  That part – that I’ll admit – reflects what I’ve seen.  But to infer what a writer believes from a single novel… or series…that’s stretching. 

But… in a way, readers do it all the time… and that’s one of the perils of being an author.

Now that bin Laden is dead, commentators, agitators, and even people of conscience have raised the question of whether the means of his death was “justice.”  Before rushing to judgment on this question, I’d like to raise another question: What exactly is justice?

There are more than just a few definitions of justice, but here are the ones most commonly cited: (1) the quality of being fair, even-handed, and impartial; (2) the rendering of what is due or merited; (3) conformity with the law; (4) the administration of the law; (5) the means by which the law is administered; (6) a judge; (7) the abstract principle by which right and wrong are determined.

Setting aside the definitions for a moment, what are the facts, in brief?  Bin Laden was the mastermind behind the Twin Towers bombing, the Pentagon bombing, as well as who truly knows how many other terrorist acts.  In his various speeches and communications, he fully acknowledged that.  So… there was no question of his guilt. By his acts he caused the deaths of well over 3,000 civilians in the United States who were not in any way threatening him.  Over the years, he continued to agitate and plan other activities in which hundreds if not thousands of Muslims were also killed.

Now… from what I’ve seen so far, those who are questioning whether his death was an act of justice and who are suggesting it was murder, since it appears that he was not holding a firearm at the time he was shot, are saying that he should have been captured and held for trial, claiming that under the laws of the United States such a trial would constitute justice.

Such claims certainly have a certain appeal and, shall we say, technical legal merit, but they carry with them an assumption that justice can only be meted out in one way and in one form, i.e., through the U.S. court system.  As a former Naval officer who had to once serve as the presiding officer in a special courts martial, I can attest that, as a nation, we have at least two accepted forms legal jurisprudence, with very different presumptions behind some of the proceedings.  French jurisprudence dates from the Napoleonic Code and also has different presumptions, as do justice systems in other nations.

The idea underlying all such systems is that “justice” is determined under a set of laws and proceedings meant to determine guilt or innocence and to mete out an appropriate punishment, under the authority of law, in the case of those found guilty. But such legal systems are only a mechanism for assuring that “justice” is done, and when the focus is placed strictly on the means, rather than the outcome of the process, as many Americans already know, often “justice” is not achieved.  If the “means” are always supreme, then justice is often unserved; but if the end is the only goal, any means can be justified.  How then does one determine exactly what is justice?

In the case of Osama bin Laden, there is absolutely no doubt that he was guilty of causing thousands of deaths.  The penalty for such scope of murders is usually death.  Bin Laden’s death was accomplished, either advertently or inadvertently, by Navy SEALS under the orders of the President of the United States, dutifully elected, and thus was accomplished by an authorized government agency, in general accord with the punishments meted out for murderers and serial killers by U.S. courts or military tribunal or courts martial.

Was this an “ideal” solution? No, it wasn’t.  But there are times when an emphasis on process and procedure are not necessarily possible. In this case, no one is hiding what was done, or generally how it was done, and the President has acknowledged that it was done under his orders. 

So… was bin Laden’s death justice?  Or does justice only occur when an exact set of procedures and processes are followed, regardless of the outcome?