As with many, if not most, of my books, the “reviewer” reviews of Contrarian include those reviewers who often review me but didn’t, to those who didn’t like the book very much, to those who liked it, and those who liked it very much.
As some readers may know, more than thirty years ago, after having published eight novels and nine short stories, all science fiction, over the previous seventeen years, I took on a new challenge, that of writing a fantasy novel with at least semi-realistic economics and politics, and a logical and internally consistent magic system integrated within the economics and politics of that world. That novel was, of course, The Magic of Recluce.
At that time (1989), there were few fantasy novels that even attempted the goals I set out. And then, and even today, many readers were looking for escapism unconstrained by reality. In either arrogance or naivete, if not both, I thought it was possible to write a fantasy novel with realistic people, economics, politics, and logical magic that some readers would buy and enjoy, and I think it’s fair to say that I’ve done so repeatedly, or at least come close.
But along the way, I’ve come to realize that many of the readers and even some professional reviewers who reject more “realistic” fantasies don’t reject them because they’re realistic, but because they don’t understand, or don’t want to understand, certain aspects of the real world.
That’s why one reviewer of the Grand Illusion books can term them taut political thrillers while another rejects them as boring and unrealistic, why one person smiles knowingly when reading about a seemingly boring vote on agricultural subsidies or “incidental” appropriations and another puts down the book.
In the end, how interesting and exciting a book is – or isn’t – depends not just on the author, but also what the reader brings to the book… or doesn’t.