The 2023 WGA strike is the labor dispute between the Writers Guild of America — representing 11,500 screenwriters — and the Alliance of Motion Picture and Television Producers. It began at 12:01 a.m. PDT on May 2, 2023. Primarily, the strike is over pay and working conditions. The industry wants to cut down on costs by having smaller writers’ rooms (mini-rooms) or doing without them altogether and relying more on “gig” writers. This isn’t setting well with writers, given that writers only receive about 2% of the total revenues generated out of their work.
While it doesn’t affect me directly and personally, I certainly understand the struggle, because it’s symptomatic of more than just broadcast and cinema media, representing as it does the struggle between “creators” and “packagers.” This dichotomy doesn’t just exist in entertainment; it’s just more obvious there.
There have also been recent incidents in the “book” side of the F&SF industry, where it came out that Disney was refusing to pay royalties to authors whose books had been made into movies. I don’t have that particular problem, since none of my books have ever been turned into movies or television series, but some authors have, and the Disney incident is indicative of just how little corporate CEOs value the ideas and craft behind what they market.
At the same time, I suspect very few F&SF fiction writers make the kind of money that run-of-the mill screenwriters make, but then, we usually don’t have to operate under the deadlines that they do.
Authors published traditionally share certain concerns with the WGA writers, such as how the publishers (i.e., packagers) present their work. Indie authors who publish their own books have greater control over their presentation – but also take on a great deal more work.
I have mixed feelings about the WGA strike, except that I definitely share the strikers’ concerns that the industry “packagers” are minimizing the strikers’ contribution to the final productions, not that it’s anything new.