Almost all the time, novels – and their authors – are judged by how they depict what happens in their work, and how the protagonists and possibly the antagonists act, either to further or thwart the action. Sometimes, the protagonist must accomplish something against great odds, and sometimes he or she must thwart the diabolical plans of the antagonist.
In real life, however, sometimes there’s a third possibility – that an evil is occurring slowly and inexorably and that very few people are aware of that evil or that they’re aware of the events and don’t see them as evil. As a result, no one does anything, or too few people do anything.
Now, there are more than a few novels where the protagonist appears in such situations and attacks and miraculously and quickly brings the evil and the evildoers to an end. In history and real life, however, that usually doesn’t happen… and when it does, it usually takes time and/or a war or two and also, usually, very few people are pleased with the results.
In the first century or so after the creation of the Islamic faith, women played notable and powerful roles, but as the clerics (male) became more powerful, women became less so and were marginalized on a continuing basis… and few if any men with power did anything about it, certainly nothing that reversed that trend. Now, personally, that strikes me as a growing evil, but it clearly didn’t bother the men of the faith.
Certainly, the western European conquest of North America didn’t seem in the slightest evil to the conquerors even though the results were effectively genocidal as far as Native Americans were concerned, and, from what I’ve seen, even to this day, more sympathy and publicity goes to the descendants of slaves than to Native Americans.
But to write a novel where evil grows… and is either praised or ignored? There are some – such as The Handmaid’s Tale, Brave New World, 1984, and others – but, face it, how many books as dark as those do most people want to read, especially in stressful times? Most readers want excitement and uplifting stories.
The “problem” with uplifting stories is that they can either become wish-fulfillment escapes or create the idea that change for the better is the norm and that it’s not that hard to accomplish.
So what’s a writer to do?