As I was plodding through my editor’s comments on the manuscript she’d returned to me for revision, I couldn’t help but think about those comments in regard to those who might read the book, and it got me to thinking about books and readers in another light.
Certainly, people read fiction for different reasons, but primarily for escape or enjoyment, I’d guess, unless they’re critics, editors, reviewers, or agents… or possibly other writers. I read some books primarily to find out about how that author writes, and I may enjoy or escape into them, but that wasn’t why I picked up those books or loaded them onto my Kindle.
But those are reasons why, and whatever the reason why might be, it doesn’t address how individuals actually read. Does an individual attack the book as though the book represented a track to be sprinted through to get to the end as fast as possible? Or does a reader approach it like a snack, reading it a bit at a time as if between meals, just for a taste at any one time? Or does a reader sink into the book, enjoying every word and phrase, letting the book carry him or her along, not worrying about the pace? Or is the reader an analyst, trying to figure out what’s going to happen, why the author did or didn’t do something, pouncing on every typo as an indication of someone’s fault? Or perhaps the reader’s the type who seeks action or significant revelation every few pages.
Now, obviously, most readers have a bit of all of the “types” I’ve listed, as well as other reading preferences and characteristics, but I’d guess that in every reader, one of those “types” predominates more than others, sometimes varying by their mood and the book they’re reading.
But when a writer does something different, such as adopting more intricate internal structures and more measured pacing, readers who are used to something sparer or faster-paced often get angry or claim such a book is a failure, even when it’s well-written. The same often happens if a thriller writer attempts something more measured and detailed. That’s one reason why the traditional publishers often insist that authors adopt a different pen name for work that’s more than marginally different.
Readers aren’t all the same, and even the same reader can read in different ways depending on many factors. Yet some publishers – and even some readers – seem to think that writers should deliver every book the same way. I’m very fortunate my publisher isn’t one of them.