The other day I received an inquiry from a reader who wanted to know why all of the protagonists of my series had “special” talents. The immediate answer that came to mind was a question: Aren’t all protagonists special in some way or another? Then… I got to thinking about that question… and came to a different realization… which I’ll get to in a moment.
But… first, and no, this won’t be a bad commercial, there’s a related development occurring across the Atlantic where Stephen Hunt, the author of The Court of the Air and other books, is taking on the venerable BBC for slighting fantasy and science fiction, because the BBC refused even to mention it in a special on genre fiction – after already suggesting by example that it wasn’t literary fiction, either.
What does this have to do with characters with special talents? Everything. The question my reader raised underlies a basic difference, in general terms, between what is called “genre” fiction and “literary” fiction. Certainly in every “genre” I’ve read, the protagonists, and usually the villains, have some skill or skills superior to the average person. Holmes, as an obvious example, has superior deductive skills, and in virtually every mystery novel, the mystery gets solved. In the vast majority of thrillers, the good guys triumph, usually through superior skills.
In most fantasy, the protagonists also have superior skills or talents, whether it’s the ability with magic, weapons, tactics, foresight, etc. In my own writing, I don’t make a distinction between magical talents and other skills, nor do any of my protagonists have skills that others in their worlds do not have. I will grant that some of my protagonists have honed their skills to a greater degree than most others, but that’s true of every skill in every world. There’s always someone who’s better than the others, and whoever that someone may be, that person is usually the one who’s worked the hardest at it. Of course, in everyday life, the best don’t always win, for various reasons, but, as writer, I prefer not to write, generally, about the skilled “good guys” who are overcome by the greater number of idiots [although I have].
Several years ago, there was a heated discussion about whether Michael Crichton wrote science fiction, and one writer [I don’t remember who] made the observation that Crichton didn’t, because in SF science can be used for good or evil, and Crichton only posits its use in his books as evil or destructive. And that is predominantly the case in a high percentage of so-called literary or “mainstream” [which is anything but, if sales numbers are considered] fiction. In fact, so-called literary fiction has a high percentage of novels about people who are not skilled and who fail in some ways, if not spectacularly in many ways.
While F&SF does have novels like that, and I’m certain a number of them are good, the majority of F&SF still offers characters with special skills or talents and at least a crumb or two of hope. As an author, I certainly fall into that category, since I’d rather offer my characters – and readers – the hope of success through hard work, trials, and skill. More to the point of the question my reader raised, so do most F&SF writers, and from what I’ve read in other genres, so do the majority of “genre” fiction authors. There’s no question that this aspect of genre fiction could be called “unrealistic,” at least by the numbers, because in real life there are far more “failures” than successes, but what the “literary realists” seem to overlook is that often those numerous small failures are the basis for longer-term great success. Even if they aren’t, exactly what is the point of focusing on and dissecting failure time and time again? People generally don’t learn from other people’s failures, and most people, again given the sales figures, prefer more optimistic entertainment.
The more optimistic outlook might be one of the biggest differences between “mainstream/literary” fiction and genre fiction… and why genre fiction outsells so-called literary fiction by a considerable amount… except for the literary fiction that wins prizes, but most of those sales come because of the prize and not because of the fiction.